1970′s Historic & Classic Rock Albums . . . . . . . . . . DAVID CROSBY . . . . . . . . . . . . . . . . . . . . . . . . . . . . IF I COULD ONLY REMEMBER MY NAME . . . . February 22, 1971

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EXPERIENCE ROCK HISTORY!

DAVID CROSBY – IF I COULD ONLY REMEMBER MY NAME – February 22, 1971

David Crosby, a true Rock ‘n’ Roll  icon, created one of the most beautiful, richly rewarding and infectious albums of all time with his first solo effort.

What makes this such an irresistible favorite of mine is the perfect blend of mood; the vocals, the instrumentation and the compositions all meld together into a rare mix of superb music.

This is hardly a solo effort when you consider all the other Rock ‘n’ Roll icons that contributed to this album; but it’s Crosby’s fingerprint that is dominate throughout the LP.
I thought it just to include the credits below to show the generous give and take that took place back then when egos were for the most part put aside when it came to creative musical endeavors. There are some serious soulful slide guitar licks and perfectly-placed guitar wranglin’ goin’ on here that touch my heartstrings; as well as equally inspired vocal arrangements.
This is truly an album that never got the appreciation it should have and like Van Morrison’s “Astral Weeks” it has its own distinct and unique “feel” to it that begs repeated listenings.
Most of the musicians and vocalists carried over onto the recording of Paul Kanter’s (Starship) “Blows Against the Empire” album several months later; “Blows” actually should be on this list but with only 79 entries for the entire decade not everyone could make the cut.

IOICRMN is so loved by 00individual that it is seriously one of the most consistently-played LPs over the last four decades; a superior recording that continually sounds appropriate anytime and is a fond remembrance of the height of the Hippie-era.

“Crosby, Stills and Nash” and “Deja Vu” are both great LPs, no argument, but this LP is a clear example of the dominate influence Crosby had with CSN (& Y’s) “sound”; as well as with the seminal psychedelic folk-rock group the Byrds.

Gifted with a near angelic voice, this gun-toting, drug addicted, convict and musical genius literally almost came back from the Land of the Dead in the decade after the release of this LP. A true survivor of not only the ’60s, but on up to the current date of this post, David Crosby should have a wing in a real Rock ‘n’ Roll Hall of Fame named after him for his musical contributions and for his superman status of a Rocker that overcame the hellish depths of addiction and incarceration and still came back to be as successful as ever.

Released the day after my 20th birthday; this music is timeless – I LOVE THIS ALBUM!

A true “gem”: “If I Could Only Remember My Name”:

Side One

  1. Music Is Love” (David Crosby, Graham Nash, Neil Young) – 3:16
    • Crosby – guitar, vocal; Nash – guitar, vocal; Young – guitar, bass, vibraphone, congas, vocal
  2. Cowboy Movie” (Crosby) – 8:02
    • Crosby – electric guitar, vocal; Jerry Garcia – electric guitar; Phil Lesh – bass; Mickey Hart – drums; Bill Kreutzmann – tambourine
  3. Tamalpais High (At About 3)” (Crosby) – 3:29
    • Crosby – electric guitar, vocals; Nash – vocals; Jorma Kaukonen – electric guitar; Garcia – electric guitar; Lesh – bass; Kreutzmann – drums
  4. Laughing” (Crosby) – 5:20
    • Crosby – guitars, vocal; Garcia – pedal steel guitar; Lesh – bass; Kreutzmann – drums; Nash, Joni Mitchell – vocal

Side Two

  1. What Are Their Names” (Crosby, Garcia, Lesh, Michael Shrieve, Young) – 4:09
    • Crosby – electric guitar, vocal; Young – electric guitar, vocal; Garcia – electric guitar, vocal; Lesh – bass, vocal; Shrieve – drums; Nash, Mitchell, David Freiberg, Paul Kantner, Grace Slick – vocals
  2. Traction in the Rain” (Crosby) – 3:40
    • Crosby – guitar, vocal; Nash – vocal; Laura Allan – autoharp, vocal
  3. Song With No Words (Tree With No Leaves)” (Crosby) – 5:53
    • Crosby – electric guitar, vocals; Nash – vocals; Gregg Rolie – piano; Garcia – electric guitar; Kaukonen – electric guitar; Jack Casady – bass; Shrieve – drums
  4. Orleans” (traditional) – 1:56
    • Crosby – guitars, vocals
  5. I’d Swear There Was Somebody Here” (Crosby) – 1:19
    • Crosby – vocals

One last thought; the totally cool and hip track; “Cowboy Movie” should have been made into a cowboy movie – and still should, with David Crosby composing the soundtrack and appearing in a cameo. And like a Tarantino film; bring back all the classic “western-type” iconic dudes like Peckinpah did with the classic, “Pat Garret and Billy the Kid”, mixed in with some cool young dudes of today – then plumb the depths of the story – it would be awesome!

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CHECK OUT THE REST OF THE TOP 79 HISTORIC & CLASSIC 1970s ROCK ALBUMS!

16 thoughts on “1970′s Historic & Classic Rock Albums . . . . . . . . . . DAVID CROSBY . . . . . . . . . . . . . . . . . . . . . . . . . . . . IF I COULD ONLY REMEMBER MY NAME . . . . February 22, 1971

  1. This description echoes my sentiments because it’s EXACTLY how I feel about this album!!! It’s an extraordinarily beautiful album that must have took some courage for DC to release because much of it was so unorthodox (I know that McGuinn blasted it but what does he know; he kicked DC out of the Byrds!!!). At times I actually had trouble listening to “Laughing” because it made me feel too high!

    Cowboy Movie was an allegory, describing the events surrounding Stills & Nash and I believe ,Rita Coolidge – a very creative effort. The visual images brought about when listening to this song are so vivid that I too have always thought someone should make it into a movie.

    IICORMN is one of the 20 albums that I’d need to survive if I were stranded on a desert island:

    If I Could Only Remember My Name – D. Crosby
    Disraeli Gears – Cream
    Mr. Fantasy – Traffic
    Days of Future Past – Moody Blues
    Electric Ladyland – J. Hendrix
    CS&N – Crosby, Stills & Nash
    Beggars Banquet – Rolling Stones
    Mixed Bag – Richie Havens
    Doors – The Doors
    Blows Against the Empire – Paul Kantner
    Retrospective – Buffalo Springfield
    Workingman’s Dead – Grateful Dead
    Led Zeppelin III – Led Zeppelin
    On the Threshold of a Dream – Moody Blues
    Blind Faith – Blind Faith
    Parsley Sage Rosemary & Thyme – Beatles
    Traffic II – Traffic
    In Search of the Lost Chord – Moody Blues
    Turning Point – J. Mayall
    White Album – Beatles

    • Well, 20 makes for a very tight decision, but I can easily agree with 5 (Doors, Crosby, Moody’s Past, Hendrix Ladyland and PSR&T) and swap-out Led Zep III for Led Zep I and that makes 6!

      I had Simon & Garfunkel’s PSR&T on the Top 69 Historic & Classic 1960s Rock Albums list originally, but had to stay true to Rock – painful because it is definitely in the class of “every track is an irresistible gem” category and a personal favorite!

      There’s Rock and then there’s the Spirit of Rock – tough delineations sometimes!
      I need to do a genre-less Top Albums of the ’60s & ’70s List soon!

      Your astute and insightful comments are always appreciated and welcomed!

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    • Yes I have; KARMA OUTLAWS (registered with the WGA – Writers Guild of America); it serves as the basis for a videogame IP I’m trying to get made:
      http://xlntsites.wix.com/karmaoutlaws#!intro
      It’s guaranteed to “Raise your consciousness as you kick ass across dimensions!”
      But as far as a ’60s/’70s-themed screenplay, I haven’t. It would be a challenge and would be best as an indie project, as studios mainly back subject matter that relates to today’s market – sigh.
      Screenplays are very time-consuming; where dedication and sacrifice of everything else is required; not impossible now, just a serious decision – but something to consider. I’m not a defeatist, just a realist, I’ve gone to a few Pitchfest’s out here in LaLa Land and competition is fierce.
      It would certainly be interesting subject matter close to my heart and one where no embellishments would be needed.
      Are you psychic? I ask this seriously. Check my new post tomorrow; it could very well be the basis for just such a screenplay!

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